Glass catching light
Reflect 3.1 | Mies cityview
30" x 48" panel | glass
Reflect 3.1 was commissioned for a residential setting and features an abstract view of Mies Van der Rohe's 900/910 Lake Shore Drive buildings. The clients selected a sophisticated palette of black and silver grays in the foreground, varied with pops of whites and pale gray in the background. Shimmering glass catches light to offer a dynamic art piece in this lovely architect renovated mid-century modern home.
Partnering with Boston Art
I'm delighted to be partnering with Boston Art with the architectural abstraction series, Reflect.
Great write-up about Boston Art in the August2017 Interior Design magazine.
Reflect 1.0 | 24" x 24" mixed media with glass c Heather Hancock
Right outside the café hang a trio of Heather Hancock’s glass renditions of buildings by Ludwig Mies van der Rohe. Photography by Eric Laignel. Full article + additional images here.
Catching Light | presentation at PechaKucha Chicago
With morning light comes infinite variability in color. Some mornings feature light filtered through clouds and reflected across the choppy surface of the lake. Views are changing moment-by-moment.
Read MorePechaKucha Chicago Volume 43
Presenting at PechaKucha Chicago
I've got 6 minutes and 40 seconds to talk about my journey with light and glass at PechaKucha Chicago.
I'm presenting alongside 10 other Chicago area professionals including Maciej Kaczynski Architect, Studio Gang in Chicago, Garrett Karp Chicago Architecture Foundation in Chicago and Catherine Cox 4Seasons Global in Chicago.
Should be a great evening.
Tickets in advance are recommended
EvanstonMade June 2017
You can see Reflect 2.34 | Curved at the Evanston Art Center through June 30th, 2017 as part of the monthlong EvanstonMade show.
Featured in Blink 2017 catalog
Grow | re-imagining urban spaces
Enjoyed working on a massive canvas for Evanston Streets Alive 2016 to offer pedestrians a moment of surprise. Grow transforms built world elements into organic, growing foliage. Realized in chalk, the piece offers an ephemeral experience, consistent with the constant change and transformation we find in nature. Living well in urban settings requires new ways of seeing beauty and staying connected to the natural world.
UrbanVines: nature meets city
I have an image of ivy growing on a crumbling concrete wall in my studio. I love the image of nature connecting with the built world; constant change and transformation happening on different time scales. I often circle back around to 'how do I grow ivy on a concrete wall?' Working on the installation plan for a temporary street intersection mural brought me back to cement board as a gorgeous textured canvas perfect for my work in glass.
Nature meets city in UrbanVines.
Grow: Urban palettes + textures
Super excited to be creating another temporary public art installation. This time using spray chalk on an asphalt canvas at Main and Custer as part of this Sunday's Evanston Streets Alive event.
This project brings together my passion for bringing the natural world into urbanscapes and my growing interest in temporary public art. Working with temporary materials offers an ephemeral visual experience for pedestrians, echoing the constant transformation and changes we see in the natural world.
I've re-worked one of my core visual concepts Grow as a large-scale intersection installation to offer pedestrians a moment of surprise and discovery. Borrowing from the streetscape palette, the installation will be created in weathered whites with pops of safety green and orange.
EvanstonMade 2016
Urban palettes
The most compelling aspect of working with glass is the way the material loves light, sparkling and shimmering to engage a viewer. Many of the images I take involve light and shadow. I get to the Lake Michigan lakefront as often as possible, usually in the morning, and am amazed at the constant variation in light and palette and texture of the lake bounded by rock and sky. I am starting to explore how to translate this sometimes subtle light and color into a shimmering glass palette in a spare yet luminous art object.
The starting point for this exploration is using an image from a specific date to develop this palette and vocabulary.
Painting with Glass
Working as an artist means a continually evolving story. I worked with amazing designer Julie Nelson to crystalize my story and showcase some of my recent work. Take a Peek at the digital version. Print version available upon request.
EvanstonMade
Reflect | urban vocabulary
Glass loves light. Reflecting, shimmering, sparkling, refracting. I work with glass to create luminous experiences that change with motion and light.
I think a lot about what draws our attention, and why. An element of surprise or unpredictability always makes us notice. In among the repetitive forms of our cityscape, fluidity of light and reflection, unusual perspectives and juxtapositions take on the qualities of the natural. So many of those moments involve glass. The perfect Miesian grid or the undulating balconies of the Aqua building offer endless visual interest when we consider architecture in interaction with movement and light. I use glass to re-create those moments and to offer a sustaining viewing experience that is infinitely variable.
New work in Reflect series is underway in grayscale.
View featured in NS Modern Luxury
View is featured in the spring issue of NS Modern Luxury!
EvanstonMade | new work
EvanstonMade is coming up in June. I'm excited to develop a new graphic concept...with a new presentation. Here's a sneak peek at some preliminary pieces.