New work in the Reflect series was delivered and installed last week in a contemporary urban Chicago condo. The client wanted a single panel of the “beam” concept, inspired by the exterior architecture of the Hancock tower. A strong diagonal composition with an emphasis on the intersecting beams created a strong single panel for an interior wall in the client’s open floor plan living/kitchen/dining room. Flooded with natural light from the wall of windows directly across the room makes ideal conditions for this piece to shift and shimmer.
Three pieces from the Reflect series are headed to a healthcare facility on the west coast. These shimmering urban views of familiar rhythms and repetitions will work well in any lighting conditions. The three pieces are integrated with a consistent palette of opaque and iridized sheet glass. Viewers are invited to consider familiar—and often overlooked—moments of urban beauty from our streetscapes.
Sutter CPMC Hospital San Francisco 2018 | San Francisco, CA United States
ARTIST | Heather Hancock | Heather Hancock Studio
ART CONSULTANT | Jane Thompson | J.D. Thompson & Associates
Three-piece art hanging was specified as part of an art program for Sutter CPMC Hospital San Francisco. The art program is intended to provide visitors, patients and hospital employees with new and engaging visual experience. Creating welcoming and engaging environments improves well-being and has become a valued element in healthcare design. 3 pieces each 24"x24" | mixed media with glass
Art pieces from my series Reflect were selected for waiting areas in an urban hospital. Mixed media work with glass offers viewers a bold and unexpected visual experience. Shimmering cut glass set against matte cement creates a high contrast and dynamic piece that captures the vibrancy and energy of the streetscape. Reflect is inspired by urban beauty. The work explores the repetitive forms of our cityscapes, fluidity of light and reflection, and how unusual perspectives and distorted geometries take on the qualities of the natural. Viewers are invited take another look at familiar moments of urban rhythm and beauty.
Collaboration with J.D. Thompson and Associates all occurred remotely. Art consultant Jane Thompson is familiar with my portfolio from previous collaboration. Jane selected pieces from the Reflect series that worked best in the designated public space. A cohesive palette of shimmering whites, blacks and grays unifies the hanging. Iridized glass is particularly effective in catching ambient light and adds a further dimension to the work. Work shipped framed and ready to hang.
I recently returned to my City concept for a commission headed to the west coast. This is the third version of this graphic approach to city-meets-nature. Based on the SF skyline, a playful ‘line drawing’ of buildings meets water and sky/urban forest. A shimmery natural world is created using line and form borrowed from the built world.
Sutter CPMC Hospital San Francisco | 2018 | San Francisco, CA United States
ARTIST | Heather Hancock | Heather Hancock Studio
ART CONSULTANT | Jane Thompson | J.D. Thompson & Associates
Three piece art hanging was specified as part of an art program for Sutter CPMC Hospital San Francisco. The art program is intended to provide visitors, patients and hospital employees with new and engaging visual experience. Creating welcoming and engaging environments improves well-being and has become a valued element in healthcare design. 3 pieces each 24"x24" | mixed media with glass
Art pieces from my series City were selected for waiting areas in an urban hospital. Mixed media work with glass offers viewers a bold and unexpected visual experience. Shimmering cut glass set against matte cement creates a high contrast and dynamic piece that captures the vibrancy and energy of the city. City is inspired by the intersection of natural and built worlds. A consistent graphic approach is used for architecture, urban forest, sky and water. Viewers are offered a familiar skyline with city meeting nature.
Collaboration with J.D. Thompson and Associates all occurred remotely. Art consultant Jane Thompson is familiar with my portfolio from previous collaboration. Jane requested the City concept inspired by the SF skyline. A palette of bold grayscale architectural forms meet shimmering blue greens of urban forest/sky and blues of water to create a dynamic visual experience. Iridized glass is particularly effective in catching ambient light and adds additional color tones and vibrancy to the work. Work shipped framed and ready to hang with 3 week turn-around.
Had to share some out takes from the studio pix for Voyage Chicago. Our dog Jasper stopped by and he just works so well with my grayscale palette!
I'm delighted to be featured in VoyageChicago's Thought Provoker series. Here's how I got from healthcare to my creative practice!
VoyageChicago Local Stories
Today we’d like to introduce you to Heather Hancock.
Heather, we’d love to hear your story and how you got to where you are today both personally and as an artist.
I always say that art chose me. It found me working in healthcare; pouring all my creativity into helping others “live well.” With a Master of Science in communication disorders, I worked first as a speech language pathologist and then as an administrator in physical rehabilitation programs in Chicago hospitals. During my decade-long career in healthcare I came to understand the importance of our physical surroundings to our well-being. I saw how perfectly the natural world engages us. I started to think about how this kind of dynamic and information-rich beauty could be brought into interior spaces.
I encountered ancient glass installations while traveling in Europe. I was immediately captivated by how shimmering glass brings imagery to life. I could start to envision a way to bring bold and unexpected visual experience into interior spaces. And so began my 15-year journey with glass.
We’d love to hear more about your art. What do you do you do and why and what do you hope others will take away from your work?
I work with glass to create visual experience. I’m always working to get a 2D art piece to function as a dynamic art object, one that catches light and transforms with a viewer’s movement. The visual experience is infinitely variable.
My inspirations come from everyday moments where the natural world and built world intersect. Alongside the hard lines and repetitive forms of our cityscape, I notice the fluidity and constant transformations in our natural world. These moments fascinate me and I try to re-create them in my work.
Right now, I’m exploring urban form and rhythm abstracted from architecture and text. One series, Reflect, explores urban beauty. Glass is everywhere in our city. It catches light, reflects the sky and animates our streetscapes. Reflect is inspired by this overlooked urban beauty. I think that living well in urban settings requires new ways of seeing beauty and staying connected with the natural world.
What do you think it takes to be successful as an artist?
It’s an exciting time to be developing a creative practice. There’s widespread interest in designing live and work spaces that help people thrive. I’m working with art consultants, designers and architects around the country who see art as a key element in creating compelling spaces. As an interdisciplinary artist drawing on my background in neuroscience I love this interest in art that has both aesthetic and conceptual impact.
I know art has the power to catch our attention, make us think, help us notice everyday moments. Being a participant in that experience is what it’s all about for me as an artist. I define success as engaging a viewer in dialogue with a piece. The visual narrative of my art offers the kind of beauty and engagement that helps us live well in our everyday spaces.
Do you have any events or exhibitions coming up? Where would one go to see more of your work? How can people support you and your artwork?
My work is meant to be experienced in person. It’s hard to capture the vitality of glass in still images. I love having people come by the studio to see work in person. Not only can you see finished pieces and how they interact with light and movement, but I can also give you a look at the engineering behind the work, from substrate and glass to mortar and grout. Studio visits are a great way to see my work and envision a way to incorporate it into your own space.
My website (heatherhancock.com) is a great place to get an overview of my work. I update my blog with new projects. And I post studio updates to Instagram @heatherhancock.art.studio
Address: Evanston, IL
Reflect 4.1 was recently installed in the entrance of a gorgeous mountain home. The clients liked the idea of Reflect providing a visual experience that evokes mountain landscapes, a sort of urban mountain.
The clients were looking for a statement piece for the entry way in their new construction mountain lodge. The entry way leads into a great room with a spectacular view of Lone Peak mountain. Architecturally, the home is contemporary mountain. Wood beams provide visual interest and clean linear elements throughout the home.
With a dropped ceiling in the entrance, they wanted to get the right scale for the space. A diptych with two pieces at 24"x38" provides a bold shimmering visual experience and prepares viewers for the spectacular mountain views in the great room. The clients are delighted with the new connection between their urban city life and their mountain retreat.
Alongside my abstracted architectural series Reflect I've recently come back to my Scan series. Abstracted letter forms engage our innate interest in decoding information. This series considers the constant processing--scanning--of information in daily life. This is a fundamentally optimistic perspective with abstracted text re-imagined as a thriving vine with limitless potential.
I'm using a grayscale palette with single or layered color accents. The concept is endlessly versatile. Content and palette can be customized for a site-specific art feature.
By Ellen Galland
Heather Hancock’s stunning work at the Evanston Art Center’s “Catching Light: the Art of Architecture” is a lot of fun. She presents the glass and steel facades of many famous Chicago high rises in an unexpected medium. The pieces appear from a distance to be photographs, but they turn out to be mixed-media with glass.
The glass pieces shimmer and shine and reflect light in different ways, creating depth and richness within each piece. In addition, the thoughtful groupings of the pieces create another visual pleasure, as the curves and lines of individual pieces are juxtaposed.
Ms. Hancock uses perspective to create drama and to draw the viewer up onto the surface of the facades of what she thinks of as our “urban mountains.” She sees natural forms in the repeated elements of the windows and beams, thinking of them as “leaf-filled forests or shimmering water.”
At a recent panel discussion sponsored by the Evanston Art Center, Ms. Hancock explained what has influenced her. Her background is in applied neuroscience, and her previous career – helping people with head injuries in the healthcare industry – led her to want to help people live well in a broader way, with access to art and design.
Ms. Hancock said she wanted to encourage people to think in new ways about their environments by engaging with materials such as glass that last “for millennia.” The hardness of these symbols of urban environments is softened by the design of these surprising glass compositions. Even grout becomes a medium for her in its own right.
The pieces also suggest a painstaking process of execution. If one of the challenges of an artist is to make viewers look in a new way at what is familiar to them, Ms. Hancock has presented a body of work that does that in an arresting and rewarding way.
Joining Ms. Hancock at the recent EAC panel discussion were Jodi Mariano, urban designer at Teska Associates, Nathan Kipnis, architect, Pam Daniels, Assistant Professor at Northwestern University’s Segal Design Program, and Jeff Meeuwsen, Executive Director of Ragdale.
Ms. Hancock’s theme for the discussion was the thought that “the aim of life is to flourish, not to survive,” from Lars Spuybroek’s “The Sympathy of Things.”
Each speaker mentioned the various challenges and methods of helping clients and students “flourish, not just survive.”
Ms. Mariano mentioned her firm’s design of the new Fountain Square, with its movable chairs, inviting users to continually redesign the space.
Mr. Kipnis designs solar homes that engage the client by using sunlight as both an aesthetic and technological asset.
Ms. Daniels commented on the excitement of working with her students to create original design solutions.
Mr. Meeuwsen mused on how Ragdale, known for its artists-in-residence program in Lake Forest, works to encourage users of all its programs to “pause and be open to newer art.”
Heather Hancock’s Evanston Art Center show, along with its companion show, artist Jack Nixon’s impressive monumental architectural graphite drawings and etchings, helped viewers want to pause, look closely and flourish.
Art consultant Susan Blackman suggested thinking about a painted wall as a way to think about color with the grayscale Reflect grid.
Some quick renderings got me here:
Heather Hancock, health care worker turned glass artist
Genevieve Bookwalter Pioneer Press
Evanston artist Heather Hancock has lived in the north suburb since 1993. She primarily works with glass and her creations are featured in a show through May 26 at Evanston Art Center.
Q: What first brought you to Evanston?
A: We moved here for my husband, Cam, to attend Northwestern. I was working as a speech language pathologist in Chicago-area hospitals. We found an amazing community of friends and are still here 25 years later.
Q: How did you get involved with glasswork?
A: I came to my art practice via a career in health care. I worked for more than a decade in physical rehabilitation. I was passionate about helping others “live well” but there was a limit to what we could do in the health care setting. I came to see how important our physical surroundings are to our well-being, that beauty matters. I saw glass while traveling in Europe. I started to experiment with this gorgeous durable medium and gradually came to understand how powerful glass is in creating an engaging visual experience.
Q: How long have you been using glass as a medium?
A: I first started experimenting with glass in the mid-90s and then left health care to focus on art full-time in 2004.
Q: What do you enjoy most about working with glass?
A: The best thing about working with glass is the way it catches light. Even a tiny glimmer of light brings glass to life. There’s this contradiction of glass being both fragile and impossibly strong. The interplay of glass and light is so ephemeral but the pieces themselves are enduring.
Q: What frustrates you most about working with glass?
A: There are plenty of shapes that can’t be hand cut in glass. So I’m always translating what I can envision into what can be cut in glass. And then it’s very challenging to photograph glass. Photographs freeze light but my work is about playing with light. You really have to see glass in person to understand it.
Q: Does living in Evanston affect your work at all?
A: Definitely. Evanston is the perfect balance of nature and city for me. Alongside the precision lines and repetition in our cityscape, I notice the constant change and transformations of our gorgeous lake and urban forest. I take a lot of pictures around Evanston. Beyond defining my own aesthetics, Evanston is a great place to be a working artist. This is a thriving creative and entrepreneurial community. I have an ever growing network of artists and mentors, collectors and creative entrepreneurs.
Q: Where did you draw the inspiration for your current show at Evanston Art Center?
A: My current work, “Reflect”, explores urban beauty. Glass is everywhere in our city. It catches light, reflects the sky and animates our streetscapes. “Reflect” is inspired by this overlooked urban beauty. I think that living well in urban settings requires new ways of seeing beauty and finding connections with the natural world.
Q: What do you enjoy around Evanston when you're not working?
A: Pretty much anything that gets us outside. Running at the lakefront. Lagging far behind our 13-year-old son Milo on bike trails. Our 17-year-old daughter Clio gets us out skating whenever winter weather cooperates and has recently introduced me to the wonders of a hammock.
It's challenging to convey the dynamic experience of glass interacting with light and motion. Trying some video clips.
I enjoyed talking with Lisa D about my current show and work in architectural abstractions.
Here's a short excerpt from our 20 minute conversation.
Lisa D: Tell us what we’re looking at your show at the Evanston Art Center
Heather: Catching Light is what I’m interested in. I work with glass because it catches light, because it shifts and shimmers and it’s dynamic in a way that’s pretty unique. At some point I realized there are these interesting lines and forms in the built world. As we move through the cityscape glass is shimmering and reflecting the natural world. I realized there’s a lot of overlooked beauty here that I wanted to explore. This show pulls together a lot of new work. I was able to do much bigger pieces for this show…
Lisa D: …because of big walls in front of big windows
Heather: …yes, and my work loves light. This is the perfect setting for my work.
Video clips to capture how glass + light + motion interact.
Catching Light: the Art of Architecture | Evanston Art Center | May 2018
New work is all ready for the Evanston Art Center show which runs April 28th through May 26th. Large vertical pieces offer a big bold visual experience...almost like being there.
Reflect 3.0 | 30" x 48" | glass
Reflect 1.0 | 24" x 24" | glass
Show at Evanston Art Center opens Sunday April 29th at 1-4 and runs through Saturday 5/26.
Glass needs to be seen in person. I hope you'll stop by the Evanston Art Center for the opening on April 29th at 1-4pm or happy to meet you there anytime during the month of May.
One goal for new work is to use multiple pieces to create a more expansive city view with varying levels of abstraction. The layering of buildings in city views fascinates me. We decode distance and depth and height from the rhythms of distorted geometries. I find these rhythms deeply engaging. In interaction with light, these elements shift and shimmer, offering a fleeting moment of urban beauty.
Reflect 1.37 cityview WIP | cutting glass Heather Hancock 2018
Glass really needs to be seen in person. I hope you can stop by the Evanston Art Center during the month of May to see all new work in the Reflect series.
Catching Light: the Art of Architecture
Opening Sunday 4/29 at 1-4pm
One of the ways I understand my Reflect series is as finding proxies for nature in the urban world. Architectural segments and surfaces interact with light and together with our motion through the city create rhythms and repetitions that I often experience as a mountain peak and canyon or leaf-filled forests or shimmering water.
Hope you can come see work in person at the Evanston Art Center. Catching Light: the Art of Architecture opens Sunday April 29th and runs through May 26th. I'm looking forward to hanging work in this light-filled contemporary gallery space.
Upcoming show at Evanston Art Center
I'm busy finishing up new work for a show at the Evanston Art Center opening April 29th and running through May 26th.
My current mixed media work with glass explores the experience of the built world. I came to my art practice via a career in healthcare. My approach to my work is rooted in my understanding of embodied cognition. Borrowing from the material vocabulary of contemporary architecture, Reflect brings the ubiquitous yet overlooked medium of glass into a conceptual dialogue about material, methods of making and embodied experience. Light reflecting on permanent architectural surfaces creates ephemeral moments of visual interest and discovery. Movement through the cityscape introduces geometric distortions and rhythms that engage our biologically rooted inclinations to decode information embedded in the geometries around us. In so doing, these architectural abstractions transform vast factory-made structures into familiar moments. Living well in urban settings requires new ways of seeing beauty and staying connected to the natural world.
New pieces for the show include a new larger 30" x 48" size and vertical proportion which offers a bold and more elaborated cityscape. Metal edging and a simple matte black frame gives a clean modern presentation of the work.
Mark your calendar for April 29th 1-4 and come see all new work at the Evanston Art Center. Or happy to meet you there anytime during the month of May.