evolving concept | abstract FLOURISH

January 26, 2023

Sketching. Circling back to a graphic concept that I developed as part of a recent project proposal. This concept is sticking with me…and I want to explore where this could go. I am interested in how my favorite text forms can interact with other elements, ranging from complete abstractions to hints of space/vistas. Step 1 free form exploring with color and contrast, line and form.

sketch1 | botanical collage Hancock 2023

sketch3 | botanical collage Hancock 2023

sketch 5 | botanical collage Hancock 2023

sketch2 | botanical collage Hancock 2023

sketch4 | botanical collage Hancock 2023

sketch 6 | botanical collage Hancock 2023

VISTA desert 2’x3’ hand cut glass and paint c Heather Hancock 2022

framed and hanging

January 12, 2023

Got a pic of urbanVine now framed and hanging in a multi-fam development in NYC. This piece shipped unframed. I love the silver edging on the frame they chose.

urbanVine 42”x38” hand cut glass + texture c Heather Hancock 2022

detail urbanVine 42”x38” hand cut glass + concrete texture c Heather Hancock 2022

four views | line+form, color+grayscale

January 09, 2023

4@ 2’x3’ hand cut glass, concrete + paint c Heather Hancock 2022

cityscape | 2’x3’ hand cut glass, concrete + paint c Heather Hancock 2022

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Case study: architectural artifacts

January 04, 2023

A recent design proposal involved some interesting architectural research. An 1920s art deco building was demolished and replaced with a multi-family development. The art consultant requested a design concept from my architectural series that connects the historic 1920s building with the newly constructed multi-family building. Archival images of the building were sourced and a 2 panel installation was proposed to point to the beauty and detail of the previous building on the site. One panel offers a looking up perspective while the second panel offers art deco details and information from and about the original building.

So much to explore in this approach to architectural work. Making physical world objects inspired by physical world objects creates an intriguing opportunity to explore the relationship between the built world and our understanding of information and place.

concept | re-creating original building facade as art piece

concept | re-creating details from original building as art piece

mood. jan 2 2023.

January 02, 2023

REFLECT 6.3 | 20”x20” hand cut glass + textured concrete c Heather Hancock 2022

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hello2023

January 02, 2023

Excited for new projects and ideas…so much to explore in 2023…let’s go!!!

winter break sketching

December 28, 2022

…continuing to think about playful botanicals…and experimenting today with dark/light blocks

JOY

December 17, 2022

Christmas creativity!!

REFLECT X ENCODE

December 14, 2022

Continuing to explore architectural abstractions alongside big projects. Always start in grayscale with these.

REFLECT 6.3, 6.4 and ENCODE 3.4 each 20”x20” hand cut glass + concrete textures c Heather Hancock 2022

REFLECT 6.3 20”x20” hand cut glass + concrete textures c Heather Hancock 2022

REFLECT 6.4 20”x20” hand cut glass + concrete textures c Heather Hancock 2022

See Originals

west coast bound

December 12, 2022

Four juicy new pieces are headed to a conference room on the West Coast.

The art consultant for this project requested concepts for a set of four pieces that reflected the distinctly different landscapes within her clients’ service area.

4@ 2’x3’ hand cut glass + concrete textures c Heather Hancock 2022

Each piece needed to abstract from specific landmark views for a stand alone art piece and at the same time connect across the pieces for a compelling and cohesive hanging in an executive conference room. Clients provided reference images of the land/waterscapes.

I provided two different concept directions for preliminary presentation. I always work digitally which streamlines client communication. I can quickly sketch a vision or concept to help visualize ideas and then incorporate client feedback and preferences. Final drawings give clients a really good sense of how the finished pieces will look (minus the actual shimmer/matte contrasts that bring my pieces to life). This design phase took about 4 weeks to finalize.

preliminary concept1 specific views wetlands/city/lake/desert

preliminary concept2 abstracted color concepts wetlands/city/lake/desert

Additional versions were generated and ideas refined to get to the final selection. The clients had very specific imagery they wanted to see incorporated and we were able to back-and-forth to get to final concepts.

I created the 4 pieces based on the clients' final selection. Glass and concrete are integrated with paint and texture to create a lively contrast of matte vs shimmer. Pieces were created in ~2 weeks and shipped to arrive well in advance of receive by date.

4 views | lake/city/wetlands/desert 2’x3’ hand cut glass + concrete + paint c Heather Hancock 2022

detail 4 views | lake/city/wetlands/desert 2’x3’ hand cut glass + concrete + paint c Heather Hancock 2022

Let's talk about your project

REFLECT 4.7

December 10, 2022

Ready to deliver this gorgeous new piece. So powerful. Will get in situ pix as soon as the piece is installed. I used a new frame with this piece which makes for a slimmer profile for the panel. Really liking it. Art consultants and designers often want pieces to have a low profile. Happy to figure out this option.

REFLECT 4.7 4’x2.5’ hand cut glass + concrete c Heather Hancock 2022

WIP REFLECT | architectural abstraction

November 28, 2022

A new architectural abstraction is in the works. The clients wanted a large piece for their family room, selecting a 4’x3’ panel size. All cutting is complete and waiting for frames to finish up.

rendering of concept at 4’x3’ c Heather Hancock 2022

WIP REFLECT | 4’x3’ cutting glass c Heather Hancock 2022

quick sketches | fun botanicals

November 10, 2022

As the color gradually fades outside, i get much more interested in color in the studio. I can see a mix of embossing and grayscale glass with some popping high contrast color.

abstracted botanicals | sketch 1 c H Hancock 2022

abstracted botanicals | sketch 3 c H Hancock 2022

abstracted botanicals | sketch 5 c H Hancock 2022

abstracted botanicals | sketch 2 c H Hancock 2022

abstracted botanicals | sketch 4 c H Hancock 2022

abstracted botanicals | sketch 6 c H Hancock 2022

urbanVine in multiples

November 08, 2022

I always love working in multiples, making pieces that connect across multiple canvases. This project will hang in another country and so the art consultant understandably specified no text elements. Embossed and etched geometric abstractions were used in place of my usual text elements. These abstract botanicals shimmer in glass, suggesting constant transformation. I’m looking forward to seeing these hanging. For now, here are some images of them in the studio.

urbanVine 3.8, 3.9, 3.10 | 3@20”x20” hand cut glass + concrete c Heather Hancock 2022

urbanVine 3.8 | 20”x20” hand cut glass and concrete c Heather Hancock 2022

urbanVine 3.10 | 20”x20” hand cut glass and concrete c Heather Hancock 2022

urbanVine 3.9 | 20”x20” hand cut glass and concrete c Heather Hancock 2022

rendering of UrbanVine | hand cut glass + concrete 3@20”x20” c Heather Hancock 2022

Available work

ideas | architectural abstraction

October 19, 2022

I recently was looking at images of a new building in NYC and could see a new set of pieces in the REFLECT series. I’d love to see what depth I could create using a limited palette of black, white, gray and concrete texture (+/- color accents). I like the overall lightness and brightness, with either silver or black concrete infill.

drawing | architectural abstractions c Heather Hancock 2022

PEAK

September 27, 2022

I’m excited to be heading to Colorado for a quick fall hiking (and remote working) trip. Growing up in driving range of the Canadian Rockies, mountains have always been a source of awe…ancient…monumental…vast.

I’m delighted with this summer’s new pieces PEAK which feel like a playful take on mountains. The hints of gold and bronze in the iridized gray alongside crisp black and white makes for a lovely subtle color palette.

PEAK | 2@20” x 20” hand cut glass inlayed in textured concrete c Heather Hancock 2022

detail | shimmer and reflectance makes for a dynamic art piece with texture and gloss contrasts adding another dimension

And that reminds me that I did a fun zoom background mountain mural last year integrated into the architecture of the work-from-home space. Perspective is all right for Cam’s computer camera.

mountain zoom background mural c Heather Hancock 2021

growing urbanVines

September 27, 2022

I’m happy to be realizing an idea that I’ve been thinking about for a long time. The image of a vine growing on a concrete or brick wall is the perfect visual metaphor for all of us finding our way, surviving and thriving in less than ideal conditions. I like the reminder that we are also in a state of constant growth and transformation.

drawing urbanVine 3@20”x20” c Heather Hancock 2022

fall making

September 21, 2022

I’m planning for my fall studio making and find it helpful to work digitally at this stage to get to the feel and visual impact I’m wanting. One direction I’m interested in is creating sets of architectural and botanic- inspired (vine/encode…) pieces, exploring line in city and nature using a consistent palette and bold contrast.

rendering | abstract mies + urbanVine c Heather Hancock 2022

rendering | abstract chase + urbanVine c Heather Hancock 2022

rendering | abstract mies + encode c Heather Hancock 2022

quick look...fall vibes

September 20, 2022

I’m getting geared up for fall studio time. Step one is to think about what’s currently available…what’s new this summer…and how my different groups of work are evolving and interacting.