It’s been a busy 6 weeks in the studio working on a multi-panel 220SF lobby installation. 14 panels each 6.5’ h x 2.5’ w (~16SF) will be installed on a feature wall behind the reception desk and central architectural staircase in a new construction healthcare facility. I have 4 panels to finish with these lush layered greens.
more of this in 2024
Looking back through 2023 projects to find the themes and ongoing questions…
URBAN RHYTHMS
beauty in the everyday
…clean line and repetition
…looking up perspectives
…shadow and light, surface and dimension
…information fragments
…nature + concrete
NATURE with a GRAPHIC TWIST
nature through an ‘urban lens’
…approaching nature’s infinite complexity using urban inspired clean line and hard edges
VISTAS with TEXTURE + SHIMMER
new ideas for big views. landscapes and cityscapes.
…foregrounding tiny things against monumental things
…painted backgrounds
…bold contrasts in texture and shine
mood board
A recent RFQ called for a mood board …and it was super fun to pull together inspo and relevant sketches. I’m going to make use of this format this year. New relationships and directions always emerge from pulling together inspo and sketches and art pieces. Also. This RFQ reminded me that I really want to see work fabricated in other materials and formats. Step one is cutting in paper + vinyl as a quick way to test new ideas.
urbanVines installed in healthcare setting
Loved getting installation images of new grouping of urbanVine pieces. Geometric foliage in crisp white glass pops against the weathered urban concrete background with layering and textures, etching and embossing. A subtle touch of color was worked into this series. Every time I come back to this it evolves in a good a new way.
REFLECT 4.9 urban rhythm
This REFLECT diptych is installed in a Manhattan financial services firm, serving as a videoconference background for the executive team. I love it opposite this black and white photography…urban rhythm meets nature’s complexity.
VISTA: prairie
Thrilled to get images of VISTA: prairie hanging in a pediatric lounge in a midwestern hospital.
The art consultant on this project provided a color palette for the piece. We worked back and forth to figure out how to incorporate more green into the foreground. Vertical glass stringer combined with painted topography in the foreground was approved by the client.
new cityscape close to home: VISTA Chicago
VISTA: Chicago is installed in a downtown conference room. Here’s a quick overview of the progression from preliminary sketch to final pieces.
headed for install | NYC
October’s been busy busy. Catching up on pix. This new diptych is heading for install in NYC.
recent pix | REFLECT commission Cadence
Love getting to see pieces installed. This is a very special architect designed home. This piece was created specifically for this wall.
multi panel pieces
Getting all set up to start in on multi-panel landscape project
Looking forward to working with color again. Blues and greens…with some accents in ambers. Love the vibrancy of glass in these hues.
A large lobby space with several architectural interruptions called for a color forward approach to graphic landscape imagery. Discrete vertically stacked panels will feature glass strips and shimmering iridescent circles, evoking sky and land. Continuity between panels is seen with an iconic fence and topography.
And I’m excited about my recent re-working of my edged panel presentation to be a solid 1 3/16”alumium edging.
So sleek!
VISTA: prairie
Looking forward to getting final install pix from this recent project once it’s installed in a pediatric lounge in a Midwestern Hospital.
fall sketching | new directions with REFLECT series
I’ve got so many ideas swirling for my REFLECT (architectural abstractions) series. I’d love to bring in color, with either glass or paint. And, I’m thinking about smaller scale architectural forms. Which is how I ended up going back through my images from our extended stay in CDMX last spring. There was something so captivating about the attached 3-4 story multifamily buildings with simple facades that vary endlessly: small dimensional details and set backs, differences in detailing and grates, monochromatic through full color. Would love to explore a series of architectural structures with simple dimensional cues and then play with the vocabulary of windows and doors, grates and screens, textures and paint.
Some quick sketches of what I can imagine…
I love the idea of precision cut / painted elements in interaction with concrete textures and surface irregularities. Some color could be paint and other cut in glass.
fall sketching | looking up
Continuing down the path of how to connect nature and architecture in REFLECT.
Took a bunch of looking up city and tree pix for inspo over the weekend. And here’s a next step in thinking about how this could work. The layered leaf concept would be a combination of cut glass and paint. Buildings would be reduced down to cut-able resolution in blue grays. Sky. Matte acrylic. Another approach to looking up, seeing the city.
sketch c Heather Hancock 2023
Meet the Maker | sept/oct luxe
So fun to see my art in the Scene section of luxe magazine.
I had a great conversation with writer Laura Hine back in early June. We talked a bit about how to describe my work. I use glass as an inlay within concrete textures, with light interacting differentially with the high gloss glass and matte textures. I think of my work as mixed media or dimensional.
Other things we talked about …
… Dimensional work. I love the object-ness of glass and how light animates that unique material for a dynamic experience.
… Graphic minimalism. evoking place using the least amount of information (ie clean line/crisp edges)
… Urban lens. After a number of years of focusing on cityscapes and architectural forms, I’m using my urban lens to create minimalist natural imagery: vines and foliage, landscapes and views.
Images came from a great photo shoot with Tony Favarula in late June.
fall sketching | REFLECT / low+wide angle looking up
I spent the better part of 2 years figuring out how to draw architectural forms with glass. I developed a consistent glass palette. I learned to cut in perspective. I gradually came to understand negative space and how the concrete texture could work as shadow. I got more confident in reducing complexity consistently to get to cut-able resolution of essential elements.
There’s something I’d love to see happen with this precision architectural cutting. Something that gets even closer to the immersive, embodied experience of being in the city. And something that brings nature back onto the canvas. Buildings are incredible looking up from the ground. So are trees. Light filtering through leaves. Could I bring the built world and natural world together in the REFLECT series? In order to do foliage, I’d probably need the whole thing in color.
mock up | looking up Chicago with foliage c Heather Hancock 2023
Although. Wait a minute. How about this. The buildings in grayscale and the foliage in intense color are incredibly beautiful too. And solves the problem of finding the right blues in glass. Interesting.
mock up | looking up Chicago with foliage c Heather Hancock 2023
encode collages | sketching
Circling back to ENCODE collages this morning to look again at how text and natural imagery can combine in a dimensional piece that points to the balance between the man-made and the natural in our urban lives.
VISTA: prairie
I really enjoyed thinking about prairie imagery for a recent commission (pix soon) and now so many more ideas are swirling. Starting with some sketches with a simplified palette.
And, then abstracting even more. mmmm. LOVE.
OK. When do I get to make these?!!
coming soon: VISTA prairie
I can’t wait to share my latest site-specific piece, combining shimmering cut glass inlay, matte concrete texture, and vibrant paint. A playful graphic abstraction of prairie grasses and wildflowers offers viewers a connection to nature with an imaginary expansive prairie landscape. More soon!