View

I often notice compositions when I'm out running. A moving attentional frame finds a set of lines, an organic form or a repetitive pattern--discovering moments of aesthetic order in the urban environment. While nature maintains a perfect balance between repetition and variation, the built world can read as a highly repetitive sequence of hard material elements and chaotic transitions.

In View, I explore the rhythm and spare beauty of urbanscapes. Power lines criss-crossing the sky and architectural elements of building facades offer variation in line and form. Living in urban settings requires new ways of finding beauty and staying connected to nature.

View started with this crop from an image taken on the alley at Greenleaf and Chicago in Evanston.

I'm participating in the Open Studios Evanston event again this fall as part of October Humanities Month. The inaugural Open Studios Evanston in June was a great event, connecting me with many new art collectors and neighbors. I'll be showing new work in the View series, along with many other studio experiments, prototypes and art pieces. Hope you'll get out and explore the 100+ artist studios+galleries +performances spaces participating on Oct 11th.

More ideas in glass

Art available for purchase

insta: El

At the Mart today. The El tumbling by overhead never gets old for me. Love these lines.

Contemporary kitchen design: custom glass elements

I love a sleek, contemporary kitchen. My own kitchen features furniture-style pale gray laminate cabinets and drawers from German manufacturer Hofemeier, glossy gray Caesarstone and stainless steel. For us, the backsplash became an obvious space for a piece of functional art to bring visual interest and vibrancy to our otherwise neutral kitchen. Five mosaic insets with an animated abstract pattern vary the repetition of simple 1"x1" glass tile, bringing organic shapes and vibrant colors into the kitchen.

When it comes to a backsplash, there will be a designers and homeowners who want nothing but sleek, pristine surface. But there is another group looking to add some visual interest without compromising aesthetics in the central gathering space of any home. So can anything co-exist with sleek backsplash materials and custom cabinetry? Here are some renderings that range from an asymmetrically positioned small inset of cut glass through to a full-on celebration of light and color and form with abstracted botanicals.

Grow (aka "digital prairie") comes from my interest in finding the points of intersection between the built and natural worlds. A prairie wheat form is re-envisioned within graphic circuit-board inspired line elements. Staying with grayscale lets the piece blend with the neutral kitchen, shimmering to add subtle visual texture and interest. The inset is the same width as as upper cab to create a coherent transition point.

Here Grow is rendered in a grayscale with greens palette. Grays and greens are so crisp. A pop of color in a neutral kitchen creates an immediate focal point and visual feature without changing the sophisticated feel of the space.

Or how about creating a much bigger impact with a full backsplash installation? Using a full palette of shimmering layered green glass brings the natural world indoors. A composition of abstracted letter forms from art series Scan makes reference to the urban world and creates a graphic, contemporary installation.

Or, a composition of stylized botanicals mixed with text elements creates an urban bouquet of color and form. The crisp collage composition with strong linear elements is in keeping with the clean lines of the kitchen but brings some organic form and curve to vary the strong geometries of cabinets and countertops.This transforms a backsplash into a full feature art space that can tie together the surrounding palette or be rendered as a more textural piece in grayscale.

Find more installation ideas here.

Get in touch. I'd love to hear about your project.

insta: architectural elements

Lots of my images are captured during my morning runs. I run under this El viaduct every morning and love the interaction of the old crumbling concrete arches with the new metal structural elements. It's a composition in architectural surfaces and functions.

summer nature fix: Alberta+BC

And two weeks in the Canadian Rockies and interior BC. Time to dig back into work. Interestingly, it's imagery from the built world that I'm exploring first.

summer nature fix: Nova Scotia

Summers always include catching up with our extended family in Canada. I see it as my nature fix. We spent time in the Annapolis Valley/Bay of Fundy area in Nova Scotia. I'm always overwhelmed by the sheer beauty and it takes me a few days to start taking photographs. Spectacular coves and beaches and forests everywhere. These are some highlights.

New Mosaic Art: Vertical garden concept

Rendering | Concept image Bloom is visualized as year-round color embedded within a vertical garden wall....

continue reading this mosaic art →

Growing season

Summer brings me back to the world of plants and foliage where constant growth and motion meet continuity and coherence. Lines borrowed from the world of technology become the growing stems for heads of grain in the series Grow. Writer friend Tate Gunnerson dubbed this concept "digital prairie," succinctly capturing my interest in the finding the points of intersection between the built and natural worlds.

The intricate circuitry line on my 5K race timing chip triggered another version of Urban Vine. The line is re-envisioned as vining and growing within a spare segmented urban landscape. Rendered in shimmering glass, the line comes to life with motion and light.

The built world is necessarily composed of segments, repeating elements and material transitions. Cut glass artworks have the same material requirements: individual elements and transitions composing a whole. This material connection makes it an ideal artform for inquiry into concepts of continuity and discontinuity, unity and intermittence in the natural and built worlds.

Living in urban settings requires new ways of discovering beauty and staying connected to nature.

See renderings of how I envision these concepts at larger scale.

Grow 1.0 | prototyping

I have come back to this "Grow" concept that I started experimenting with in the fall.  Connecting linear elements from the built world of technology and infrastructure with organic elements from the natural world, Grow is about finding unexpected points of beauty in the urban landscape. Living in urban settings requires new ways of finding beauty and connecting with nature.

These prototypes explore new color palettes and the varying degrees of complexity in the linear elements.

Living wall | concepts

I adore living walls. I clip them from magazines. I pin them onto my Pinterest board. I imagine how I could make one work in my little urban courtyard. But I'm pretty sure there's no such thing as a perennial living wall in our Chicago climate. Given our need for year-round color and visual interest, I'm thinking about glass as a sustainable, zero-maintenance proxy for plants. So I'm starting to generate concepts for a living wall in glass. And, as always, I want to figure out my own abstracted version. Presumably it would need to be a fairly large installation to create a visual impression so it needs to be easily fabricated. I like the idea of using my 'urban lines' (inspired by technology, infrastructure, traffic markings etc of the built world) to create a natural-meets-urban-world composition.

I used pale gray grout to keep the pieces very light and bright. And since it's an outdoor concept, I wanted to see it on an exterior surface.

Simple | shadow

Open Studios Evanston

 

Hope you'll come explore the vibrant arts scene in our community.

Open Studios Evanston map

Art walk in Evanston

I am looking forward to being part of the first ever Open Studios Evanston event next Saturday, June 7th at 3-8p. Photographs simply can't capture the experience of seeing glass in person. Glass shifts and shimmers with light and motion, catching our attention and bringing us back to a moment. And this shifting and shimmering is exactly why I work with this powerful medium. In the studio, you'll get an overview of the techniques I use to create the effects I love with glass and be able to see how it works in all kinds of color studios and studio experiments and prototypes.

On the main floor, I'll be showing the first 7 pieces from the Proust series I have been working on with Dr. Virginia Barry.  Bringing together many of my favorite topics, this project explores the neuroscience behind Marcel Proust's In Search of Lost Time. More on this project can be found here.

Come on the early side with the kids to give them a peek of a glass studio. Or stop by later for a visit and a glass of wine. Looking forward to an Evanston afternoon and evening of art and friends.

Proust ❤︎ Instagram

The voyage of discovery is not in seeking new landscapes but in having new eyes.  Marcel Proust | In Search of Lost Time I have been using Instagram for about a year now. It has become a valuable visual notebook, a quick way to document the visual moments that catch my eye: light and shadow; color and surface; transition, line and form. I love the freedom of capturing these inputs without necessarily analyzing them. No need for a coherent written narrative on Instagram. For me it's about seeing the ordinary in a new way. And about realizing that even in an urban landscape, there are infinite visual inputs that can lead to new ideas and art. Synthesis comes later as these visual inputs accumulate and themes emerge and compositions come to mind. My work centers around finding the points of intersection between the built and natural worlds, so my own concocted hashtags include #beautyinnature #natureinthecity and #structureinbeauty.

This past winter psychoanalyst Dr Virginia Barry invited me to develop visuals for her book on the neuroscience behind Marcel Proust's In Search of Lost Time. One of my first thoughts after reading Marcel Proust's Swann's Way was that Proust would totally get Instagram. In Search of Lost Time comes as close to "following an instagram" feed as one might hope to find in an early 20th century autobiographical novel. Of course Proust goes far beyond an Instagram feed with his sheer brilliance in using language to reconstruct these elaborately detailed and intricately layered sensations and memories, creating an entirely new work of art. But I like to think that Proust would approve of the vast array of visual moments captured on Instagram which have the potential to extend our collective cultural memory in new ways, and will undoubtedly lead to new art.

Come join the adventure on Instagram

Proust project: madeleines and Combray

The next two pieces in the Proust project address the famous tea and madeleines section. A random cup of tea and a cookie trigger a long-forgotten memory of the village of Combray where the narrator spent summers as a child. This passage establishes the framework for accessing the childhood memories that form the basis of the Proust narrative. Memories are often evoked initially by smells and tastes and then recreated as fully embellished, detailed moments, linked together into a drifting, meandering text. And the whole of Combray and of its surroundings, taking their proper shapes and growing solid, sprang into being, town and gardens alike, from my cup of tea. Swann's Way. Marcel Proust.

I developed two concepts for this passage. The first featuring the lovely scallop shape of the madeleine cookies realized in pale and iridized ambers with the other conceptual elements realized in grayscale glass. A new element is introduced in this piece, potentially evoking stacked or piled old book or another new abstracted font. This 'font' is the basis for the village of Combray that comes into full form and color in the second piece as the memory is accessed and consolidated.

Fieldtrip: under the Chicago Skyway

A friend of mine recently texted images from the newly opened section of South Lake Shore Drive in South Chicago and offered to field trip there sometime. Yesterday's field trip took us literally under the Chicago Skyway. This is an industrial area I've been fascinated by for years, catching glimpses, and snapshots, of it as we drive past on the adjacent Chicago Skyway. Located at the mouth of the Calumet River, South Chicago has a 100 year+ history of heavy industry, declining now since the 1970s to a fraction of peak production in the mid-20th century. The US Steel South Works site to the north closed its operations in 1991 leaving 700 acres of land, now a lakefront park and prairie. The harbor continues to be active with steel production and recycling, scrap yards and cement distribution companies in the area.

My work often focuses on new ways of finding beauty and staying connected with nature in urban settings. The repetition and rhythm of these steel and concrete structures is a familiar visual input for urban dwellers.

Scan 5.1 was a 2013 commission based on the industrial view from the skyway. Structural and functional elements were re-envisioned as organic shapes and forms.

A recent re-reading of EO Wilson's Biophilia, reminded me that he argues that our interest in mechanical forms is another form of biophilia, defined as our innate "focus on life and lifelike processes." In the absence of sufficient novel and diverse natural inputs, it may be that we rely on built world elements to augment our visual experience, reading mechanical forms as potentially changing, evolving elements. Natural world inputs feature the novelty and unpredictability that engage our information-seeking minds. The repetition and precision in the built world, necessary from the point of view of structure and function, make this insufficient as a sole visual input. But connecting with both natural and built world elements might be an important part of visual experience in the urban landscape, and ultimately a factor in quality of life.

More about Scan 5.1

More about South Chicago's industrial history at this great blog ForgottenChicago.com

Bloom at Creative Coworking

Ideas in Glass [hanging at Creative Coworking | March 28th through May 2014]

Spring show at Creative Coworking

I am delighted to be hanging work at Creative Coworking in Evanston. When owner Angela Valavanis invited me to come see the space last fall, I discovered an inviting office space filled with art by area artists. A wonderful rugged brick wall runs the length of the space and provides an interesting architectural surface to contrast with polished glass.

Between other projects, I have been working on additional pieces in the Bloom 4.0 series through the winter months. My goal is to to create collaged compositions which are both playful and engaging. Abstracted foliage forms are imaginary, almost otherworldly, floating and vining and tangling. Graphic lines and elements in glass stringer and hardware contrast with the lush glass forms. The organic forms are realized in shadowy grayscale, suggesting the overlooked but ever-present and powerfully regenerative natural context for the urban world. Living in urbanized settings requires new ways of seeing and connecting with nature.

I also plan to hang some pieces from my series Scan 3.0. Scan considers the power of linguistic forms to engage. We are attuned to finding and decoding information in the environment. I have never shown these pieces before but think they will be an interesting minimalist counterpoint to the grayscale Bloom series.

Hope you can stop by the opening reception.

Friday, March 28, 2014 | 5-8pm

Creative Coworking | 922 Davis St | Evanston, IL

More images of Bloom 4.0 can be found here.

Proust project | Hawthorns

I found the whole path throbbing with the fragrance of hawthorn-blossom. Marcel Proust | Swann's Way

Proust was obsessed with the over-the-top beauty of the hawthorn blossoms. Clouds of white and pink scent the air and create a visual feast of color and form and extravagance. At one point, he notes a brave solo poppy ("the sight of a single poppy hoisting upon it slender rigging and holding against the breeze its scarlet ensign..." p. 195). More often he is enthralled by myriad small blooms forming a massive, exuberant whole. He writes of perceiving a meadow of flowers as "a golden expanse, until it became potent enough to produce an effect of absolute, purposeless beauty" (p. 237).

The challenge in creating the 'hawthorns' piece was to find a lush palette and bountiful composition that avoided sentimentality or pure nostalgia. Proust created these elaborately embellished moments and places from his childhood, engaging with hard and sorrowful moments as well as happy and blissful ones. The complexity and detail he incorporates keeps these from being sentimental. Creating a visual experience of abundance while maintaining the conceptual framework of our fragmented memory-mediated-by-language gave me the approach to developing a composition that connects with the literal imagery of hawthorn blossoms and with the larger overall themes of language and signaling and constructed memories. My interests lie in 'becoming' or the continual change that favors irregularity and imperfections and variation over perfect forms and pure symmetry.

A palette of iridized whites and fuchsia tint glass along with popping spring greens is balanced with grayscale foliage and the central mechanical structure of the piece.

Activation and signaling is present with gray and green stringer, doubling in some cases as a sort of stem. The central constructive element is backgrounded this time at smaller scale and realized in shimmering grays.

Preliminary images after grouting.

Next up: stairs...and the sense of sorrow and despair of a child having to leave his mother and go up these dreaded stairs to bed.